In this work, FOS uses Jesmonite to create a fractured relief whose textured, blackened surface is cut through by vivid seams of blue. The broken segments hover slightly apart, allowing light to enter and animate the voids between them. The composition feels at once ancient and contemporary, as if excavated from an imagined archaeology, and operates less as a fixed image than as a fragmentary language – a constellation of forms that invite the viewer to piece together meaning.

Working across sculpture, installation, music, architecture, and design, FOS explores how objects and spaces shape us as social beings, often creating environments for interaction and exchange. His practice examines how art can function as an alternative to the systems that regulate behaviour in civil society, here using the material and spatial qualities of sculpture to meditate on rupture and connection, solidity and the spaces that divide it.