Tove Storch’s (b. 1981, Denmark) artistic practice has for many years centered around textile structures – especially transparent silk organza stretched across wooden or metal frames. At times the silk is pulled so tightly that the frames bend under the tension, while at others it is loosened, allowing the material to fall in soft, slumping arches. Through these investigations of tension, gravity, and transparency, Storch explores how fragile materials can produce both spatial and bodily associations, balancing formal abstraction with something intimate and tactile.

"Untitled" (2026) originates from the idea of upscaling a piece of textile. Suspended within a transparent plexiglass box, fine threads stretch repeatedly between wooden supports, forming draping curves that yield to their own weight. The dense repetition of lines recalls weaving techniques and enlarged textile fibers. As the threads fall into soft arcs between fixed points, the rigid framework appears unexpectedly fluid and delicate. The work transforms simple linear materials into a luminous, almost immaterial structure, where transparency, gravity, and rhythm create a sculptural drawing in space.