The idea of an organic presence is further bolstered by Michael Kvium’s works where anatomical abstractions dangle like innards or curtain cords. The works have a mutual serial rhythm due to the manner in which the wet colour spreads across the paper. In keeping with the works from the exhibition Papirvirus (Paper Virus) from 1988, the message is the force of nature and man’s moral character. In this way, the works create a tension between what we expect from the realm of a picture and what this actually represents to Kvium.