Ingvar Cronhammar’s (b. 1947, Sweden – d. 2021, Denmark) works place themselves in the field between architecture, art, and design. Cronhammer’s work reveals a fascination of the industrial, and throughout the creation process the possibilities of technology are utilized to its full potential. It incites to slow paced thoughtfulness, but underneath the surface lurks an unease in the realization of recognizing something one has never before seen.

The work "Seven minutes past four", references the time when night becomes day and a new twenty-four-hour period begins. The black monochrome plane of the paper is only broken by two diagonal lines forming a clock face in memory of nature’s cycle.