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    Open a larger version of the following image in a popup: Darío Escobar, Obverse & Reverse LIX, 2023
    Open a larger version of the following image in a popup: Darío Escobar, Obverse & Reverse LIX, 2023
    Open a larger version of the following image in a popup: Darío Escobar, Obverse & Reverse LIX, 2023
    Open a larger version of the following image in a popup: Darío Escobar, Obverse & Reverse LIX, 2023

    Darío Escobar

    Obverse & Reverse LIX, 2023
    Leather, nylon, polystyrene, aluminium, stainless steel
    105 x 122 x 110 cm
    41 3/8 x 48 x 43 1/4 in
    DE23026
    Inquire
    %3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3EObverse%20%26%20Reverse%20LIX%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2023%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22artist%22%3EDar%C3%ADo%20Escobar%3C/div%3E%3Cdiv%20class%3D%22medium%22%3ELeather%2C%20nylon%2C%20polystyrene%2C%20aluminium%2C%20stainless%20steel%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E105%20x%20122%20x%20110%20cm%3Cbr/%3E%0A41%203/8%20x%2048%20x%2043%201/4%20in%3C/div%3E

    Further images

    • (View a larger image of thumbnail 1 ) Darío Escobar, Mensajes Cifrados Nº 18, 2022
    • (View a larger image of thumbnail 2 ) Darío Escobar, Mensajes Cifrados Nº 18, 2022
    • (View a larger image of thumbnail 3 ) Darío Escobar, Mensajes Cifrados Nº 18, 2022
    • (View a larger image of thumbnail 4 ) Darío Escobar, Mensajes Cifrados Nº 18, 2022
    About his works in the Obverse & Reverse series Dario Escobar says: The work starts from a reflection about the industrial object, in this case a sculpture formed by football...
    Read more
    About his works in the Obverse & Reverse series Dario Escobar says:

    The work starts from a reflection about the industrial object, in this case a sculpture formed by football soccer balls sewn among them to form a cloud. It dialogues about the insistence in thinking of the same object in a sculptural operation; a new configuration of an element repeated obsessively, as when exhibiting a product in supermarkets or sport stores. I’m impressed by the space solutions for aisles that can be seen in this kind of places and by the way these solutions also try to make the product more appealing to the eye. This series of works also tell us about the accumulation not from a point of view centered in the ready-made individuality but from the accumulation of the merchandise as raw prime for a contemporary sculpture.
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COPENHAGEN

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