Danish artist Michael Kvium has persistently portrayed the follies of humanity for over four decades across various mediums, including painting, drawing, sculpture, film, and performance. His artistic exploration delves deep into all facets of life, especially those aspects humanity tends to suppress. While this concealed reality remains acknowledged, Kvium's distinctive portrayals have left a lasting impact on art history and in the minds of viewers.

The gallery of eleven captivating oil paintings, "Crybaby I–XI," illustrates the unfolding of Kvium's compelling narratives, serving as an evocative invitation to reflect on the deeper questions of existence. Within his artworks, Kvium consistently encourages associative thinking, prompting viewers to recognize familiar situations within themselves or in others. His creations evoke memories and invite contemplation of one's own existence and potential within the world.

Kvium's narrative paintings, resonant with theatrical performance, unfold on a stage from the rise of the curtain to its fall, mirroring the arc of life from birth to death. This theatrical quality is deeply rooted in his early engagement with performance art in the 1980s, seamlessly linking his visual works to the realm of performance. As Kvium raises critical questions about the rise and decline of Western civilization, the theatricality in his oeuvre mirrors the course of life, urging viewers toward profound introspection.