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    Open a larger version of the following image in a popup: Tove Storch, Untitled (Roller painting #2), 2006
    Open a larger version of the following image in a popup: Tove Storch, Untitled (Roller painting #2), 2006
    Open a larger version of the following image in a popup: Tove Storch, Untitled (Roller painting #2), 2006
    Open a larger version of the following image in a popup: Tove Storch, Untitled (Roller painting #2), 2006
    Open a larger version of the following image in a popup: Tove Storch, Untitled (Roller painting #2), 2006
    Open a larger version of the following image in a popup: Tove Storch, Untitled (Roller painting #2), 2006

    Tove Storch

    Untitled (Roller painting #2), 2006
    Wood, metal, canvas, acrylic
    43 x 37 x 19.5 cm
    16.93 x 14.57 x 7.68 in
    TS06001
    Inquire
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    Further images

    • (View a larger image of thumbnail 1 ) Tove Storch, Untitled (Roller painting #2), 2006
    • (View a larger image of thumbnail 2 ) Tove Storch, Untitled (Roller painting #2), 2006
    • (View a larger image of thumbnail 3 ) Tove Storch, Untitled (Roller painting #2), 2006
    • (View a larger image of thumbnail 4 ) Tove Storch, Untitled (Roller painting #2), 2006
    • (View a larger image of thumbnail 5 ) Tove Storch, Untitled (Roller painting #2), 2006
    • (View a larger image of thumbnail 6 ) Tove Storch, Untitled (Roller painting #2), 2006
    In 'Untitled (Roller Painting #2)' (2006), an early work by Tove Storch, the relationship between color scale, perception, and form is explored alongside the body’s coexistence with the object. Created...
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    In "Untitled (Roller Painting #2)" (2006), an early work by Tove Storch, the relationship between color scale, perception, and form is explored alongside the body’s coexistence with the object. Created during a period of engagement with 3D drawing and architectural thinking, the work draws on color gradients inspired by early 3D programs’ flattening of rounded surfaces. Light and shadow articulate the form across both surface and space.

    As a roller painting, the work introduces the possibility of change: the viewer determines which section is brought into view, transforming the act of looking into a form of participation. Rather than presenting a fixed image, the painting operates as a perceptual field in which color functions as a tool for spatial definition.
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Glentevej 49 · 2400 Copenhagen · Denmark
Tue-Fri 11-17 · Sat 11-15


Holbergsgade 19 · 1057 Copenhagen · Denmark
Wed-Fri 12-17 · Sat 11-15

 

+45 3254 4562

Inquiry@nilsstaerk.dk

CVR: DK-31498538

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