"French Calendar Paintings" is a series of twelve paintings that stems from "The Liquid Archive", a visual vocabulary of images that Amorales developed in the early 2000s and employed across animations, drawings, and installations. The series marks an important shift in his practice, introducing an exploration of abstraction through the transformation of figurative imagery into an illegible visual language – a line of inquiry that would continue to shape many of his subsequent projects. The title refers to the French Revolutionary Calendar, introduced as part of a broader effort to replace established religious and monarchical structures with new social and political systems.