Having trained as an architect Escobar is always aware of spacing and of stability; as can be noted in Untitled in which a group of Pepsi bottles are upholding planks, it’s interesting to perceive how the small, delicate and fragile materials (glass bottles) are the ones actually doing the supporting and the heavy lifting. This work also contains a clear commentary on consumerism and how American culture has permeated and is dominating the world. For over two decades Escobar has produced a steady body of work that challenges the viewer to review mass-produced objects; their traditional uses are overturned so new uses and meanings can arise. At first glance his sculpture may appear to be common everyday, readymade objects; however, closer examination reveals the inclusion of detail-oriented craftsmanship, as well as an exploration of forms, surfaces and areas.