“When I use soft materials to create solid looking objects it’s like an examination of sculpture in general.” Through the images of the work by Danish artist Tove Storch and the words of S.M.A.K. curator Thomas Caron, whose conversation with Storch is scattered throughout the book, this publication introduces the reader into a minimalist universe made of metal structures mixed with delicate materials such as silk and paper, and informed by dualistic relationships between strength and fragility. The final result is a publication that offers the fresh take of a young emerging artist on a historicized yet still very actual topic in art history: the modernist sculptural gesture.
