This book gathers three texts on artist Tove Storch’s work and thought. Firstly, a conversation between Danish curator Stine Hebert and Storch herself, who take us back to the start of their friendship, and into the “backroom” that any artist maintains throughout their working life, a room of conversations informing and developing their artistic practice. The second text in this book is by Lauren Elkin – translator and author – examining Storch’s art works through the lens of feminist theory, laying bare important but less discussed reflections on their subversive potential.
Finally, this book also includes a republishing of a poetic text by curator and art critic Paola Paleari, which fascinatingly weaves together Storch’s work and Newton’s law of universal gravitation.
The title of this book is generously lent by arts writer Alice Godwin.
