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    Open a larger version of the following image in a popup: Rebecca Lindsmyr, Sincerely yours (4), 2024
    Open a larger version of the following image in a popup: Rebecca Lindsmyr, Sincerely yours (4), 2024
    Open a larger version of the following image in a popup: Rebecca Lindsmyr, Sincerely yours (4), 2024
    Open a larger version of the following image in a popup: Rebecca Lindsmyr, Sincerely yours (4), 2024

    Rebecca Lindsmyr

    Sincerely yours (4), 2024
    Oil on canvas
    230 x 150 cm
    90.55 x 59.06 in
    RLI24003
    Inquire
    %3Cdiv%20class%3D%22title_and_year%22%3E%3Cspan%20class%3D%22title_and_year_title%22%3ESincerely%20yours%20%284%29%3C/span%3E%2C%20%3Cspan%20class%3D%22title_and_year_year%22%3E2024%3C/span%3E%3C/div%3E%3Cdiv%20class%3D%22artist%22%3ERebecca%20Lindsmyr%3C/div%3E%3Cdiv%20class%3D%22medium%22%3EOil%20on%20canvas%3C/div%3E%3Cdiv%20class%3D%22dimensions%22%3E230%20x%20150%20cm%20%3Cbr/%3E%0A90.55%20x%2059.06%20in%3C/div%3E

    Further images

    • (View a larger image of thumbnail 1 ) Paul Fägerskiöld, Pyongyang. View South. January 1 2100, 2021
    • (View a larger image of thumbnail 2 ) Paul Fägerskiöld, Pyongyang. View South. January 1 2100, 2021
    • (View a larger image of thumbnail 3 ) Paul Fägerskiöld, Pyongyang. View South. January 1 2100, 2021
    • (View a larger image of thumbnail 4 ) Paul Fägerskiöld, Pyongyang. View South. January 1 2100, 2021
    With 'Sincerely yours,' Rebecca Lindsmyr explores diverse facets of the written signature, treating it as both symbolic expression and a bureaucratic, political, and social marker of subjectivity. engaging in a...
    Read more
    With "Sincerely yours," Rebecca Lindsmyr explores diverse facets of the written signature, treating it as both symbolic expression and a bureaucratic, political, and social marker of subjectivity. engaging in a nuanced negotiation between expressivity and readability, Lindsmyr deliberately deconstructs her own gestures, spanning childhood drawings to legal documents, while examining the border between language and art. The work probes the complex relationship between the signature and notions of ‘the self,’ exploring its invocation in painting and its pivotal role as a core signifier of authenticity and value.
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COPENHAGEN

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