In we’ll analyze at breakfast, Rebecca Lindsmyr continues her exploration of painting as a psychological and linguistic field, a space where meaning is layered, deferred, and continuously renegotiated.

The work unfolds through acts of overwriting and glazing, resulting in a densely built surface that resists fixed readings. Rather than building toward an image, the painting evolves through a process of accumulation and erasure, echoing the fragmented logic of memory and thought.

In an effort to emphasize the intertextuality of gesture and language, this work marks a shift in Lindsmyr’s approach to titles, where a series of tentative expressions builds up and leaks into the process of naming. Rather than acting as a direct caption, the title lingers as a conceptual echo, hinting at a reflective aftermath; a line drawn from a tangled web.

With this work, Lindsmyr’s temporal and psychological approach to painting becomes evident. While suggested as a surface, the work points to a depth of strata, simultaneously contained and concealed, through which perception continues to unfold.