RAYMOND PETTIBON
WORKS FROM THE 1980s
NOVEMBER 2 – DECEMBER 20, 2024
HOLBERGSGADE 19 · COPENHAGEN

Idolization is part of human nature, yet the line between admiration and obsession is easily blurred. In Raymond Pettibon’s work, idols emerge not as flawless icons but as complex, often flawed figures enmeshed in the machinery of cultural myth-making. NILS STÆRK is pleased to present a solo exhibition featuring Raymond Pettibon’s works on paper from the 1980s, where raw ink drawings are paired with cryptic texts to reveal the fractured nature of cultural heroes.

Born in 1957 in Tucson, Arizona, Pettibon became a pivotal figure in the Californian punk rock scene of the late 1970s. Known for creating the iconic Black Flag logo, his early works – including album covers, posters, and zines– established him as both a participant in and critic of subcultural movements. However, Pettibon’s artistic vision extends far beyond punk iconography.

Central to Pettibon’s work is his reimagining of mass media imagery through tragicomedy and biting satire. Drawing from American politics, sports, religion, and literature, he reframes these subjects to expose their contradictions. Recurring themes of violence, societal decay, and existential dread are punctuated by dark humor, creating a critique of both society and the mechanisms that turn people into idols.

This critique is evident in his ink-on-paper drawings on display, where images collide with fragmented text. Pettibon’s verbo-pictorial approach blurs the line between image and language, creating an interplay where meaning remains elusive and open to interpretation. Using disjointed phrases and nonlinear narratives, he compels viewers to question the very process of idolization.

In his exploration of myth-making, figures like baseball players and Jesus are not simply celebrated; they become symbols of rebellion, freedom, and disillusionment. Pettibon also elevates overlooked characters – the disillusioned youth, suburban dreamers, and cultural misfits – imbuing them with a mythic quality. His work suggests that these anti-heroes are as emblematic of society’s desires and failures as the more glorified figures.

In a culture saturated with celebrity and fleeting fame, Pettibon’s art challenges us to look beyond the surface of the figures we elevate. His works interrogate not only the icons themselves but also the societal forces that construct and maintain their status. By revealing the fragility of these idols, Pettibon urges us to see them not as distant heroes, but as reflections of our own struggles and contradictions. As a vital figure in art history, Pettibon has influenced multiple generations of musicians, artists, and thinkers.