Tove Storch’s work “Untitled” (2024) is part of the exhibition “SAMMENBRUD” at Ved Skoven, on view until September 1, 2024.
A long row of rusted iron rods rests like heavy wet ropes over two transverse bars. The hard individual parts fuse together like threads in a huge piece of textile that is hung to dry. The threads resemble a drawing, a transparent sculpture, simply made up of lines.
Photo: Malle Madsen
Lea Porsager’s work “OFFSHORE G.O.D. [Generator. Organizer. Destroyer.], Remains.” (2024) is part of the exhibition ”After the Sun — Forecasts from the North” at the Buffalo AKG.
The exhibition is curated by Helga Christoffersen, and is on view through August 19, 2024.
Photo: Brenda Bieger
Ed Templeton's 'Wires Crossed' is part of the group exhibition ‘Turning the Page’ at Pier 24 Photo Museum, San Francisco, CA, US.
In 'Wires Crossed' Templeton shares all aspects of his life and the lives of his friends and colleagues. On their tours, they explore their own boundaries, both physical and mental. The photos show the twilight zone between adolescence and adult life: jokes, broken bones, boredom, arguments and sex.
The exhibition is on view through December 31, 2024
Photo: Josef Jacques
Lea Porsager and FOS are part of the group exhibition "Naboplanter" at Den Frie Udstillingsbygning.
The exhibition is on view from 13.04.24 — 26.05.24.
For more information, please find a link here.
Photo: Malle Madsen.
Lea Porsager is part of the group exhibition: There Should Have Been Roses at HFKD, HUSET FOR KUNST & DESIGN in Holstebro, Denmark.
The exhibition is curated by Bizarro, displaying artworks by Lea Porsager, Chino Amobi, and Ursula Reuter Christiansen. Inspired by J. P. Jacobsen's "There Should Have Been Roses", the exhibition reimagines an indoor garden landscape. This unique display explores the symbolism of flowers in the artists' works, drawing from Jacobsen's short story.
By treating art as a synthetic form of nature, the exhibition invites the viewer to traverse a literary garden. Here, they can immerse themselves, find sustenance, and contemplate the complex interplay between reality and artistic representation. This exploration offers a multifaceted experience, navigating the spectrum between fear and flourishing.
The exhibition is on view until 10.03.2024.
Photo credit: David Stjernholm
Lea Porsager is part of the group exhibition: "Bad Timing - or How to Write History Without Objects" at Den Frie Udstillingsbygning.
The exhibition is on view until 22.10.23.
Please find more information about the exhibition here.
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"Bad Timing – or How to Write History Without Objects is based on the historical exhibition Women Artists’ Retrospective Exhibition from 1920, where 200 female artists (both living and dead) exhibited almost 700 works at Den Frie. This historical moment becomes an occasion to examine how artists, then as well as today, are active writers of their own and our common art history.
Today, many of the works from the 1920 exhibition are unknown or lost. The same applies to the stories of many of the women who created works for the exhibition. Bad Timing investigates how it can be possible to work with this material and historical absence. How can this absence take shape and become registerable? For the exhibition this void is materialised through large tableaux of new works by prominent contemporary artists, who work to make absence physical in very different ways."
Exhibition text by Den Frie Udstillingsbygning
Lea Porsager is a part of the group-exhibition Teknokroppen at Fuglsang Kunstmuseum, DK.
The exhibition is open until September 17th, 2023 and is curated by Liza Kaaring.
Photo: David Stjernholm
FOS' @”v ha”ydr@dZ@n (all palace) glI”s@nIN (2018) is a part of the group exhibition Frie Hænder at Den Frie Udstillingsbygning.
The exhibition is on until 28.05.23
FOS
@”v ha”ydr@dZ@n (all palace) glI”s@nIN, 2018
Glass, wood, metal, LED, clay
160 x 45 x 45 cm
(62,99 x 17,72 x 17,72 in)
Photos: Jan Søndergaard
